The Washington Post, Oct. 12, 1999
A review of Mystery
Though it's an uphill climb to develop audiences for contemporary classical composers, the path is easier when the compositions offer depth and intrigue.... The program opened with "Mystery," a song cycle for baritone... and piano written by local composer Lori Laitman.... One jaunty piece, "The Kiss," featured dissonant piano to a gentle harmonic baritone melody until the two lines came together in a metaphoric tonal resolution.
L. Peat O'Neil, The Washington Post, Oct. 12, 1999
